By Frank Ross

A number of unique aspects add interest and reveal the nature of a new gallery and supporting studio that has opened in the high desert country of Sedona, Arizona. The first two letters in the name of the gallery and web site provide a hint into the background of Gayle Herman, artist and proprietor of Cu Form ++ Gallery. Cu is the chemical symbol for copper, so it should come as no surprise that Gayle is a chemical engineer that has reinvented herself as a copper artist after escaping from the high tech world of Silicon Valley.

“I’ve been high tech all my life. I was raised in Silicon Valley, started three companies there, sold two and took the third public, moved to Sedona and crossed over from a techie to become an artist,” she said. While that may seem like a difficult transition, Gayle says it was actually a simple process.

“I was able to use my skills in metallurgy and chemicals to make the copper do what I want it to do,” she said.

Cu Form is an innovative artistic method of encasement developed by Gayle that blends art and function into striking works that reflect the color and native landscape of Arizona. In an effort to combine beauty with function and form, she does mirrors and other decorative items to accent interior spaces and says that she has even used copper foil almost as a wallpaper to explore and express her passion for copper. She specializes in flora and fauna and her work utilizes a lot of flowers. She has also incorporated elements of Native American pseudo-morphed figures in the Southwest art for pieces to be used in exterior spaces but the majority of her work is created for interior spaces and interior design.

“I not only cover existing structures but I make freestanding structures also. I use thin copper foils in my work, so it’s not like I’m banging furniture with a ball peen hammer or anything like that. It’s a whole different approach to working with copper, using these micro thicknesses of copper. I’ve spent my life in metallurgy and chemistry, so this was a real fun project for me.”

“Copper has been my love for as long as I can recall. To me it has been a metal that is not intimidating. It’s not silver and it’s not gold, copper is a warm metal so I’ve always had this thing for it. I went out shopping for some copper art and I couldn’t find anything that I really liked. I could not find anything that wasn’t heavy and masculine, or industrial looking so I just said I’m going to develop a process to create what I like. I just worked and worked at it and the results are now featured in my gallery and on my web site http://cuformgallery.com/ArtInventoryWeb.html,” she said.

Gayle Herman, Cu Form ++ Gallery artist and owner.

She considers Sedona to be the Santa Fe of Arizona with lots of art galleries and a similar creative atmosphere, but her gallery is the only one in the city that features an artist in residence. “We have a lot of foundries here because there are a lot of bronze sculpture people here that live in this area. So there are a lot of traditional artists and then there are a few of us that don’t do the traditional art and it has been very well received. The other galleries feature a collection of art work that is consigned from many different artists. My gallery is different because it is wholly owned by me and my husband, and I’m the primary artist, so that’s unusual.

“The other thing I’m trying to tie in with my gallery, being a scientist, I have a small museum here with copper chemicals and copper ores. Arizona is the copper state. More copper is produced in Arizona than any other state in the union. Tying in all of the mining, ores, chemicals and copper art together has been a fun thing to do,” she explained.

Gayle will not reveal the technique that she has developed for creating her copper art, but will say that she does not incorporate the use tin lead solders or metallic solders of any kind. Adhesives, without VOC’s (volatile organic compounds) are used in the method of joining the various copper components. Drawing upon her chemical engineering background, Gayle creates some stunning patinas as well as thermo-oxides to achieve the final colors in her work and then seals them with a protective coating.

Some of her work is featured on her newly launched web site http://cuformgallery.com/, but there is so much more in her Cu Form ++ Gallery and studio located in the Hillside Plaza in Sedona. Next time you’re in the copper state, drop in for a visit. There is sure to be something to catch your eye.

Naturally Gayle’s choice for purchasing copper is quickshipmetals.com. If you have an artistic inclination that requires copper, give us a call. 1-800-334-2177.

By Frank Ross

Anne Goddard is a bundle of artistic energy with a copper core. For the past 20 years she’s been working with metal in one way or another, and loves this versatile metallic medium. While Anne began her life’s work as a math analyst, when she got married and moved to North Carolina she added a second major in art to her math degree and her relationship with metal began to unfold.

“I was creating enameled jewelry for 17 years, but that required a lot of travel, going to art shows all over the country. My husband and I have three children, ages 13, 12 and 10 and I was ready for a change in direction that didn’t involve so much travel. I had money in the bank and a lot of inventory to sell, so I gave myself six months to experiment and find another passion,” she explained.

“I had seen a painting on a cylinder at an art show and loved it, but when I tried applying cloisonné techniques to a cylinder I had all types of problems with cracks. The cooling rate of the copper was different than the enamel and it wasn’t working for me. I tried doing some work with wall hangings on straight copper but that didn’t satisfy my creative spirit. I just started playing around with cylindrical, square and half-round structures and strips of copper, using a torch to get different colors and really liked the results. I don’t care for using chemicals, so for me the torch is the best tool for creating different colors in copper. The thing I like about applying heat to copper is surprise of color the torch can produce. You may be trying to get a particular color and end up with a different color that is just as beautiful, but unintended,” she said.

Her work involves a number of different types of copper, from flat sheeting to various types of wire and mesh in a dazzling array of striking colors that serve to brighten any room or decorative theme. Once a piece is finished, Anne coats it with clear lacquer so the colors are sealed and the copper won’t tarnish. The source of inspiration for Anne’s art work is found in that illusive spirit that speaks softly to the individual artist. Her source for copper to follow the muse’s whispered direction is QuickShipMetals.com of course.

Anne works out of two studios in Lincoln, Nebraska and her work can be found in numerous galleries around the country. If you’re looking for an unusual piece of artwork for your home or office, check out Anne’s work at copperelementsart.com. The combination of bold and subtle colors with a variety of textures and shapes creates strikingly beautiful accent pieces that may speak to your spirit as well.

Quick Ship Metal's circle shear slowly turns out another perfect copper circle.

Quick Ship Metal's circle shear slowly turns out another perfect copper circle.

No matter what size, shape or physical profile of copper cut you may need, Quick Ship Metals can make it happen fast and to exact specifications. This capability now includes a circle shear machine that produces perfect copper circles and rings.

Copper circles are commonly used for a variety of crafts and metal art, including metal spinning of ferrules, bowls, cups or most anything round. Copper circles are also used as fence post caps, heat diffuser plates, pipe-end caps and as round plates used in tube heat exchangers.

Other industrial uses for copper gaskets include heat exchangers, compressors, condensers, pumps, valves, and general industrial applications in all sizes & shapes.
According to plant industrial engineer, Steve Crumley, “QSM’s circle shear works like a giant can opener, slowly turning a piece of square copper sheet while heavy pressure is applied to the round cutting wheel. For thicker copper sheet, several revolutions may be required to insure a precise, even cut.”

Crumley adds, “by cutting a 35” circle, then readjusting the Circle Shear to cut a 33” circle from the original, you end up with a 35” ring, or washer up to 1/8” in thickness, and that’s a pretty serious washer!”

For fast-order response for these common uses, QSM stocks a wide range of copper circles from 3-1/2” to 35” in diameter, cut from copper sheet from .002” (20 gauge) to .125” (8 gauge) thick.

QSM also produces made-to-order copper circles for a wide variety of industrial and electrical applications, but many are destined for arts and crafts projects such as enameled copper jewelry, wind chimes, or this run of copper coins that the Shivley family had stamped to commemorate a 10-year anniversary. Smaller diameter circles are produced by a machine that punches circles out in diameters of 1″, 2″, 2-1/4″ and 3″ sizes that are ideal for many creative metal projects.

The circle shear machine is just one part of the overall capability QSM maintains to provide custom cutting, shaping, punching, milling and plating of copper to meet the most diverse customer requirements and production schedules.

When you need copper, call the experts at Quick Ship Metals. They’ll give you a great price on copper circles, without giving you the run around!

This beautiful piece of embossed copper art was created by Sheri and Ralph Meldrum. It was embossed then painted in oils, and is available at their Web site: http://www.sherimeldrum.com/new.html

By Frank Ross

Tooling is a process used to create designs in thin sheets of relatively soft metals such as copper. This can be done by several methods including embossing, pressing or stamping objects into the metal, transferring by overlaying and rubbing, and using various tools to dent, pierce or and hammer a design or shape.

Since the Bronze Age, copper has been a popular metal because it is soft and easily stretched and molded. Copper has similar tooling properties to gold and silver, but it’s far less expensive. The thickness most often used for this is 36-gauge, which is several times thicker and stronger than aluminum foil found in any home kitchen. Thicker copper sheeting can also be tooled, but they require greater force and are more challenging to cut. Foils are thin and conform to shaping and embossing with little force. Copper and brass foil can be readily cut to the desired size with a pair of household scissors or a utility knife.

A metal’s relative softness or stiffness is due to its temper. Tempering is a heat treatment designed to make metal more durable. Metal with a harder temper will feel thicker even though it measures the same as a softer metal. Metals with a higher temper will also be more resistant to tooling and shaping.

Copper foil is shipped in a roll while sheeting is shipped flat. Ripples or folds resulting from rough handling can be flattened by rolling the foil with a smooth rolling pin or piece of PVC pipe on a completely smooth surface such as a countertop or glass table.

To make an impression in the copper foil, place the metal on a soft surface such as a piece of foam, several thickness of soft cotton towels or a soft rubber matt. A stack of newspapers will also work, but not as well because it just doesn’t give as well when trying to create deep impressions. Metal art created in this manner are often referred to as a “copper relief.”

You can either tape a paper sketch onto the copper for a pattern, or make a rough sketch of your intended work with a soft-tip erasable marker. This will be the backside of your work. If you sketch your pattern, rub some wax paper lightly across the backside of the metal to be tooled. This will make your tools glide more smoothly when working the surface. Be sure not to get wax on the front side of your work because that will affect the patina of the copper. Following your outline, press down firmly with a blunt tool or ‘stylus’ to indent the metal and check to see if the desired embossed effect has been achieved on the reverse side. If you desire a higher relief, carefully repeat the process until the correct height is achieved. Blunt tools or styli are used to avoid accidentally poking a hole in the metal.

Your finished copper relief can be easily colored or darkened with prepared patinas. Also, by brushing paint or stain over the metal a similar effect can be obtained, but those are subject to being fragmented or chipped off with rough handling.

Another treatment consisting of buffing of the high lights with an abrasive pad gives an antique appearance.

As a piece of copper or brass is worked it will become stiffer. For high relief pieces that may be easily dented you’ll want to consider filled them with plaster from the back so they will not become damaged by handling. Another option for shallow relief pieces is to use hot glue, candle wax or paraffin will work if the finished work will not be placed in the sun or a hot environment.

Stamping, punching and piercing are very similar techniques that involve striking a tool against the metal with a mallet or hammer. Stamping leaves only an impression while punching and piercing produce a hole in the metal. You may be familiar with the most commonly available stamps for creating impress in metal; punches or stamps for numbers and letters. Without much effort, you should be able to obtain a variety of tools that create many different shapes and designs from commercial sources as well as improvised objects around your home or work area. In the early years of our nation’s history lanterns, boxes and pie safes were created with intricate stamped and pierced designs using only a screw driver, an awl or similar tool. Experimentation is always the key to innovation.

Create your own drawing and use that image to emboss your copper foil or sheeting.

Create your own drawing and use that to emboss your copper foil or sheeting.

Rub-transfers are another excellent option for creating intriguing designs by tooling metal. Designs and textures can be rubbed from many ready available things. Any raised surface with a design, from a coin to a piece of embossed jewelry can be placed under the copper sheet and transferred by rubbing or burnishing the metal over the object of choice with a rounded tool. Be creative in your thinking. The bark of a tree, a rubber stamp in your office desk, plant leaves, natural or any object with an irregular surface has the potential to add interest to a copper relief. The amount of pressure required to obtain a successful transfer will depend on the intricate detail of the object or texture that you have chosen to transfer.

Hammering a metal surface is also known as Repousse (pronounced rep-o-zay). By repeatedly pinging the metal with a dome shaped or balled peen hammer from the reverse side you can create a high relief shape in the obverse. Hammering can be used on thinner metal but care must be taken because working the metal too much makes it hard, brittle and therefore more likely to tear. By hammering metal repeatedly, you create a pebble-like texture that can be burnished out by rubbing it forcefully with a round, hard object. A wooden ball works well. For larger pieces, thicker metal is used so it can withstand much more hammering. However, there is always a trade off. Once the thicker metal becomes brittle it must be heated to a red hot temperature and quenched in a process known as annealing.

Brass is another option for tooling. It is a more tarnish resistant alloy of copper and zinc with an attractive gold-like color. It has similar properties for tooling compared to copper, although it is a bit stiffer to work with.

The best way to learn about working with metal is to do it, and there is no time like the present for starting a project. Quick Ship Metals has all the copper and brass foil and sheeting you’ll need.

For all your copper or brass foil or sheeting needs, shop QuickShipMetals.com online or give them a toll-free call at 1-800-334-2177.

To see more of Sheri and Ralph Meldrum’s work, it’s available online at http://www.sherimeldrum.com/new.html

Sean Alton creates beautiful metal art using copper and various enameling techniques. “The majority of my work is in copper. You can’t beat it,” Alston said.

Just watching the video will make you want to give it a try. Call our customer service staff to order your copper when you’re ready. 1-888-334-2177.

This video demonstrates a very easy technique for etching copper, and the purpose of this post is not to endorse the product but to share the technique. Copper etching is a great technique for creating beautiful pieces of metal art that stand alone, or can be used as a part of other projects.

Metal artist Rob Kohl’s parents know when it’s time for holiday gift giving, there’s nothing that will be appreciate more than raw materials for their son’s beautiful creations.

That’s why they just ordered a gift certificate for Rob to purchase the copper he needs to continue his creative efforts. By now, it has arrived at his studio, and he’s probably online picking out metal his next project.

Gift certificates always fit, the first time! And, when they enable you to do the things you love, that makes it a perfect gift.

I recently featured some of Rob’s work on this blog, and if you missed it, please take time to read: Rob Kohl Creates Magic With Metal.

If you need to purchase a gift for someone who uses metal, let the friendly folks at QuickShipMetals.com shorten your shopping list.

By Frank Ross

Dosch used steel, sterling and gold. For four weeks he formed, forged, brazed, oxidized, patinaed and waxed.

Dosch used steel, sterling and gold. For four weeks he formed, forged, brazed, oxidized, patinaed and waxed.

Wolf Dosch is a German-born metal artist who came to this country in 1963. He lives in the oldest city in the nation, St. Augustine, Florida, where he has spent 23 years making jewelry and selling it at shows and galleries up and down the east coast.

In 2006, Dosch decided to stop making jewelry and pursue his dream of becoming a 3-D artist, working in metal, but also incorporating other materials as the muse so inspired. His work is very unusual, spanning the creative horizon from beautiful yet practical pieces for the desktop, to striking wall art that combines shape, color and form into compelling visual art that captures and controls the eye.

This piece of wall art is made of copper, bronze, sterling and gold.

This piece of wall art is made of copper, bronze, sterling and gold.

Dosch utilizes many different metals and techniques, and while his style is readily recognizable from one to another; each has a distinctive flavor. On many you will find he has incorporated stone work, a carry over for his love of jewelry making.

Looking through the many images of his work, it is fascinating to consider that these fine works of three dimensional metal sculpture were once ordinary pieces of flat metal, purchased from quickshipMetals.com. Some say the heart of an artist beats in us all, and the only thing lacking is the courage to take the leap from inspiration to creation.

If you’ve felt that urge to take torch or tool in hand to bend, shape and mold metal into fine art; consider this a gentle push in the right direction. QSM’s customer service staff is friendly, helpful, and has literally tons of potential artwork stacked up and waiting for enthusiastic hands.

View the many photos of Dosch’s work at his web site, expressions-wolfdosch.com.

For all your metal needs, artistic or otherwise, visit quickshipMetals.com.

When Rob Koehl's torch gets hot, something exciting is going to happen, like this beautiful fish sculpture.

When Rob Koehl's torch gets hot, something exciting is going to happen, like this beautiful fish sculpture.

Rob Koehl’s takes the copper he purchases from Quick Ship Metals and transforms it into stunning works of art. Being a fisherman, I might be too biased, but the detail and texture of his work got my attention quickly.

Koehl feels that his art speaks to the practice of a mystical alchemist, seeking spiritual growth, through the process of co-creation. “The direct process of metalwork, allows me to experience the processes that shape the physical world,” he said.

In working with the copper sheeting, most pieces are cut out using a plasma cutter. Koehl likes to work fast, and the plasma cutter makes that possible be he also enjoys hammering the copper. “It fascinates me how the copper can get so hard from hammering, then soft from just heating it and putting it in water,” he said. He also enjoys welding with the MIG welder and brazing with the torches, but added that grinding can be rather therapeutic.

The detail and striking patina color can only be appreciated up close.

The detail and striking patina color can only be appreciated up close.

The salmon sculpture featured in the photograph is an original piece created by commission for the buyer’s specific interest and sizes based on the wall they envisioned it to be displayed on. Another limitation was that it had to be shipped. Koehl and the owner both agree that the pictures do not do the work justice. This piece created so much interest for his work that he created a special page to display it. The piece measures 42″ x 22″.

Koehl sums up his work by saying that if he had to name a style to his art, it would have to be called Naive American. I’m thinking something along the line of metal magic might be closer to the point. To experience the full scope of his work, visit his web site at: robkoehl.com

Here’s another inspirational story for aspiring artists, especially those that appreciate the beauty and potential of copper.

Pete-McCaskill-1Pete McCaskill is a Quick Ship Metals customer that gives copper sheeting some very attractive twists and turns, not to mention very unique coloration. McCaskill was born and raised in Vicksburg, Mississippi where he took every opportunity to study art. Now, he feels he has found his true calling.

In his philosophy statement, he says, “Each of my sculptures represents an effort to bring into a single harmonic expression the various characteristics in the material and its form.” To achieve this he uses old pieces of driftwood and other wood he as designated “FOG” wood, because it was Found on the Ground. While some of his work is strictly wood, McCaskill also uses copper extensively, as he did with this mesquite and copper sculpture entitled “Precious Division”.

Finding just the right piece of wood often takes some time because he’s looking for just the right bend, shape and size to compliment the subject he wishes to express. “Many times it is the nature of the wood that directs me into what the finished piece will be. The wood was alive once before and I have the opportunity to bring it to life again. If I can look and ‘listen’ to its many voices, and by voices I mean all of the various characteristics of the wood, I can then bring to life a beautiful expression that is contained within,” he said.

You can view his other pieces or purchase one for your own collection, by going to http://www.petemccaskill.com/gallery.php

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